Béla Bartók: Seven Sketches, op. 9. New York, ©1950, E. B. Marks Music Corp. No. 12726–13, 3. (excerpt of Bartók’s introduction to a planned album of his piano works, ca 1945)
“Race Purity in Music”, Tempo, 8 (September 1944), 2–3.
“Some Linguistic Observations”, Tempo, 14 (March 1946), 5–7.
“Three Musicians Write of Their Activities in America. Béla Bartók. ‘I Salute the Valiant Belgian People’ ”, Belgium, V/12 (1945), 563–564.
“Hungarian Music”, American Hungarian Observer, 4 June 1944, 3 and 7.
John N. Burk: “Béla Bartók: Concerto for Orchestra”, in Boston Symphony Orchestra Sixty-fourth Season 1944–1945, Concert Bulletin, Eight Programme, Friday afternoon, December 1 (program booklet), 442, 444.
In Homage to Sir Henry Wood. A World Symposium. London: The Performing Right Society, 1944, 36.
“Concerto for Two Pianos with Orchestral Accompaniment”, in Robert C. Bagar és Louis Biancolli: The Concert Companion. The Complete Guide to Orchestral Music. New York: McGraw-Hill, 1947, 1. kötet, 22.
“Szabolcsi, Bence (Benedikt)”, in The Universal Jewish Encyclopedia, ed. Isaac Landman. New York: The Universal Jewish Encyclopdia, Inc., 1943, Volume 10, 138.
“Diversity of Material Yielded Up in Profusion in European Meltingpot”, Musical America, 1943, 1 (10 January), 27.
Bartók Plays Bartók, Continental Records Con. no. 100, CLP 1001, [ca 1949], first LP release of the gramophone recordings Continental Records, Set 102, 4005–8, recorded on 3 or 5 October 1942 (sleeve notes)
“Parry Collection of Yugoslav Folk Music”, The New York Times, 28 June 1942, 6.
“Race Purity in Music”, Horizon, 60 (December 1944), 403–406.
“Race Purity in Music”, Modern Music, XIX/3 (March–April 1942), 153–155.
Béla Bartók: Sonata for Two Pianos and Percussion. London, ©1942, Hawkes & Son B. & H. 8675, [3–4.]
„Note”, in Béla Bartók: Concerto for Violin and Orchestra. Reduction for Violin and Pianoforte by the Composer. London, ©1941, Hawkes & Son B. & H. 8296, [1.]
“Preface / Préface / Előszó” and “Notes / Notes / Jegyzetek”, in Béla Bartók: Mikrokosmos. 153 Progressive Piano Pieces in Six Volumes. London–New York, ©1940, Boosey & Hawkes H. 15196, 15197, 15192, 15191, 15189, 15187, [5–7], [2–4], [4–6], [3–5], [31–32], [52], [38–39], [44].
“Collecting Folksongs in Anatolia”, Hungarian Quarterly, III/2 (Summer 1937), 337–346, and offprint.
“Bela Bartok Replies to Percy Grainger”, The Music News (Chicago), 19 January 1934, 9.
“Hungarian Peasant Music”, The Musical Quarterly, XIX/3 (July 1933), 267–287 (translated by Theodor Baker)
“Slovak Peasant Music”, Musical Courier, CIII/13 (26 September 1931), 6.
“The Peasant Music of Hungary”, Musical Courier, CIII/11 (12 September 1931), 6, 22.
“Editor’s Note”, in Béla Bartók: XVII and XVIII Century Italian Cembalo and Organ Music, Transcribed for Piano [11-volume series of works by Marcello, Rossi, della Ciaia, Frescobaldi, Zipoli]. New York, ©1930, Carl Fischer CC 25268–25278, [2.]
“The National Temperament in Music”, The Musical Times, No. 1030, vol. 69 (1 December 1928), 1079.
“The Folk Songs of Hungary”, Pro Musica Quarterly, VII/1 (October 1928), 28–35.
“Slovak Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 460–461.
“Rumanian Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 426–427.
“Hungarian Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 243.
“Hungarian Musical Instruments”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 243–244.
“Preface” and “Explanation of the musical signs”, in Béla Bartók–Zoltán Kodály: Transylvanian Hungarians. Folksongs. Budapest: Popular Literary Society, [1923], 5–10.
British Music Society (Liverpool Center). Thursday Evening, March 30th, 1922 at 8. M. Béla Bartok (The Eminent Hungarian Pianist-Composer) in a Pianoforte Recital of His Own Works (program booklet)
Béla Bartók: The Ten Easy Pieces For Piano, with a short autobiography of the composer from his own manuscript. London, ©1950, Liber-Southern Ltd., [1]
Béla Bartók: The Ten Easy Pieces For Piano, with a short autobiography of the composer from his own manuscript. London, ©1950, Suvini Zerboni, [2]
“The Development of Art Music in Hungary”, The Chesterian, New Series, 20 (January 1922), 101–107.
“Two Unpublished Liszt Letters to Mosonyi”, The Musical Quarterly, VII/4 (October 1921), 520–526.
“The Relation of Folk-Song to the Development of the Art Music of Our Time”, The Sackbut, II/1 (June 1921), 5–11. (translated by Brian Lunn)
“Budapest Welcomes Dohnanyi’s Return”, Musical Courier, LXXXIII/2 (14 July 1921), 37.
“Budapest Sorely Misses Dohnanyi”, Musical Courier, LXXXII/21 (26 May 1921), 47.
“New Kodály Work Raises Storm of Critical Protest”, Musical Courier, LXXXII/13 (31 March 1921), 6, 12.
“Schönberg and Stravinsky Enter ‘Christian-National’ Budapest Without Bloodshed”, Musical Courier, LXXXII/8 (24 February 1921), 7, 51.
“To Celebrate the Birth of the Great Bonn Composer, Dohnányi Gives Ten Beethoven Recitals in Budapest”, Musical Courier, LXXXI/26 (23 December 1920), 7.
“Kodály’s New Trio a Sensation Abroad”, Musical Courier, LXXXI/8 (19 August 1920), 5, 19.
“Hungary in the Throes of Reaction”, Musical Courier, LXXX/18 (29 April 1920), 42–43.
Bach–Bartók: “Wohltemperirtes Klavier”. 48 preludium és fuga fokozatos összeállításban, ujjrenddel, előadási jelekkel és jegyzetekkel ellátta Bartók Béla [48 Preludes and Fugues in progressive order, provided with fingering, articulation and notes by Béla Bartók]. Budapest, [1908], Rozsnyai R.K. 246, 3, 54–55.
Béla Bartók– Zoltán Kodály: “Fölhívás a magyar közönséghez” [Appeal to the Hungarian Public], [1906]
Endre Csatkai: “Bartók Béla soproni vonatkozásai” [Béla Bartók’s Relations with Sopron], Sopronvármegye, 7 May 1922, 3.
“Symphonic Poem – »Kossuth« – Béla Bartók (1881)”, Hallé Concert Society Saison 1903–04 (Manchester, Free Trade Hall, program booklet of the 18 Ferbruary1904 concert), 506–511.