Béla Bartók: Seven Sketches, op. 9. New York, ©1950, E. B. Marks Music Corp. No. 12726–13, 3. (egyes zongoraműveinek tervezett albumához készült, feltehetően 1945-ben keletkezett szerzői előszó részlete)
„Race Purity in Music”, Tempo, 8 (1944. szeptember), 2–3.
„Some Linguistic Observations”, Tempo, 14 (1946. március), 5–7.
„Three Musicians Write of Their Activities in America. Béla Bartók. »I Salute the Valiant Belgian People«”, Belgium, V/12 (1945), 563–564.
„Hungarian Music”, American Hungarian Observer, 1944. június 4., 3. és 7.
John N. Burk: „Béla Bartók: Concerto for Orchestra”, in Boston Symphony Orchestra Sixty-fourth Season 1944–1945, Concert Bulletin, Eight Programme, Friday afternoon, December 1 (műsorfüzet), 442., 444.
In Homage to Sir Henry Wood. A World Symposium. London: The Performing Right Society, 1944, 36.
„Concerto for Two Pianos with Orchestral Accompaniment”, in Robert C. Bagar és Louis Biancolli: The Concert Companion. The Complete Guide to Orchestral Music. New York: McGraw-Hill, 1947, 1. kötet, 22.
„Szabolcsi, Bence (Benedikt)”, in The Universal Jewish Encyclopedia, szerk. Isaac Landman. New York: The Universal Jewish Encyclopdia, Inc., 1943, 10. kötet, 138.
„Diversity of Material Yielded Up in Profusion in European Meltingpot”, Musical America, 1943, 1 (január 10.), 27. (ismeretlen fordító angol szövege)
Bartók Plays Bartók, Continental Records Con. no. 100, CLP 1001, [ca 1949], 1942. október 3-án vagy 5-én rögzített gramofonfelvételek (Continental Records, Set 102, 4006–8) első LP kiadása (lemezborító)
„Parry Collection of Yugoslav Folk Music”, The New York Times, 1942. június 28., 6.
„Race Purity in Music”, Horizon, 60 (1944. december), 403–406.
„Race Purity in Music”, Modern Music, XIX/3 (1942. március–április), 153–155.
Béla Bartók: Sonata for Two Pianos and Percussion. London, ©1942, Hawkes & Son B. & H. 8675, [3–4.]
„Note”, in Béla Bartók: Concerto for Violin and Orchestra. Reduction for Violin and Pianoforte by the Composer. London, ©1941, Hawkes & Son B. & H. 8296, [1.]
„Preface / Préface / Előszó” és „Notes / Notes / Jegyzetek”, in Béla Bartók: Mikrokosmos. 153 Progressive Piano Pieces in Six Volumes. London–New York, ©1940, Boosey & Hawkes H. 15196, 15197, 15192, 15191, 15189, 15187, [5–7.], [2–4.], [4–6.], [3–5.], [31–32.], [52.], [38–39.], [44.]
„Collecting Folksongs in Anatolia”, Hungarian Quarterly, III/2 (Summer 1937), 337–346., és különnyomata.
„Bela Bartok Replies to Percy Grainger”, The Music News (Chicago), 1934. január 19., 9.
„Hungarian Peasant Music”, The Musical Quarterly, XIX/3 (1933. július), 267–287. (Theodor Baker fordítása)
„Slovak Peasant Music”, Musical Courier, CIII/13 (1931. szeptember 26.), 6.
„The Peasant Music of Hungary”, Musical Courier, CIII/11 (1931. szeptember 12.), 6., 22.
„Editor’s Note”, in Béla Bartók: XVII and XVIII Century Italian Cembalo and Organ Music, Transcribed for Piano [11 füzetes sorozat, Marcello, Rossi, della Ciaia, Frescobaldi, Zipoli művei]. New York, ©1930, Carl Fischer CC 25268–25278, [2.]
„The National Temperament in Music”, The Musical Times, No. 1030, vol. 69 (1928. december 1.), 1079.
„The Folk Songs of Hungary”, Pro Musica Quarterly, VII/1 (1928. október), 28–35.
„Slovak Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 460–461.
„Rumanian Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 426–427.
„Hungarian Folk-Music”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull.. London: J. M. Dent & Sons, 1924, 243.
„Hungarian Musical Instruments”, in A Dictionary of Modern Music and Musicians, ed. A. Eaglefield-Hull. London: J. M. Dent & Sons, 1924, 243–244.
„Preface” és “Explanation of the musical signs”, in Béla Bartók–Zoltán Kodály: Transylvanian Hungarians. Folksongs. Budapest: Popular Literary Society, [1923], 5–10.
British Music Society (Liverpool Center). Thursday Evening, March 30th, 1922 at 8. M. Béla Bartok (The Eminent Hungarian Pianist-Composer) in a Pianoforte Recital of His Own Works (hangverseny műsorlap)
Béla Bartók: The Ten Easy Pieces For Piano, with a short autobiography of the composer from his own manuscript. London, ©1950, Liber-Southern Ltd., [1.]
Béla Bartók: The Ten Easy Pieces For Piano, with a short autobiography of the composer from his own manuscript. London, ©1950, Suvini Zerboni, [2.]
„The Development of Art Music in Hungary”, The Chesterian, New Series, 20 (1922. január), 101–107.
„Two Unpublished Liszt Letters to Mosonyi”, The Musical Quarterly, VII/4 (1921. október), 520–526.
„The Relation of Folk-Song to the Development of the Art Music of Our Time”, The Sackbut, II/1 (1921. június), 5–11. (Brian Lunn fordítása)
„Budapest Welcomes Dohnanyi’s Return”, Musical Courier, LXXXIII/2 (1921. július 14.), 37.
„Budapest Sorely Misses Dohnanyi”, Musical Courier, LXXXII/21 (1921. május 26.), 47.
„New Kodály Work Raises Storm of Critical Protest”, Musical Courier, LXXXII/13 (1921. március 31.), 6., 12.
„Schönberg and Stravinsky Enter »Christian-National« Budapest without Bloodshed”, Musical Courier, LXXXII/8 (1921. február 24.), 7., 51.
„To Celebrate the Birth of the Great Bonn Composer, Dohnányi Gives Ten Beethoven Recitals in Budapest”, Musical Courier, LXXXI/26 (1920. december 23.), 7.
„Kodály’s New Trio a Sensation Abroad”, Musical Courier, LXXXI/8 (1920. augusztus 19.), 5., 19.
„Hungary in the Throes of Reaction”, Musical Courier, LXXX/18 (1920. április 29), 42–43.